Showing posts with label murder. Show all posts
Showing posts with label murder. Show all posts

Saturday, January 7, 2017

10 James Stewart Movies Everyone Should See


There aren't many actors that have filmagraphy that boast as many great films as James Stewart. I've previously written list like this about Sean Connery, John Travolta, Alfred Hitchcock, Arnold Schwarzenegger, Tom Hanks, and Chuck Norris, and easy part in creating this particular list was that I had so many quality films to choose from. Anyone who frequents this blog or has talked with me about movies knows I'm a huge fan of James Stewart and, unfortunately, there were so many good choices that I had to leave a lot of films that I really enjoy off of the list. Like all previous entries this isn’t necessarily a ‘Top 10’ but rather a list of films that is both some of my personal favorites and that I think best represent the person’s career.


#10 Rope -1948
"... You've murdered! You choked the life out of a fellow human being who could live and love as you never could, and never will again!"

You're going to find a couple of James Stewart-Alfred Hitchcock collaborations on this list, but that's bound to happen when an on-screen legend and one of cinemas best directors work together on a handful of films. This one is about two college friends who commit a murder just to see if they can get away with it. It's a simple plot done so well that it is, in my opinion, one of the great psychological-thrillers.


#9 The Spirit of St. Louis -1957
"The idea of committing suicide never crossed my mind except when I took this cigar"

There probably wasn't anyone more fit to play American icon Charles Lindbergh, than perhaps the greatest 'American every man' actor James Stewart. This biographical film focuses on the time leading up to Lindbergh's historic trans-Atlantic flight, as well as the flight itself. And even as someone with very little interest in aviation history, I still think this is a really interesting and entertaining movie.

 
#8 The Stratton Story -1949
 "I'm through gambling. Well, I found out what it's like to lose, and what it's like to win. Why keep at it?" 

This is one of my favorite Baseball movies (maybe I'll write a piece on all of those sometime). Stewart plays Monte Stratton, and it's the true story of a pitcher for the Chicago White Sox in the 30's who has his leg amputated after accidentally shooting himself in an offseason hunting accident, but against all odds plays ball again. It's a great film.


#7 The Man from Laramie -1955
"I figure this place owes me somethin' and I'm gonna make it pay" 

 James Stewart was in a number of Westerns over the course of his career, but while some of his most famous ones How the West was Won and The Man Who Shot Liberty Valance are both really good films, they also starred Western legend John Wayne. This one is 100% a James Stewart picture and I honestly think it's just as good.


#6 The Shop Around the Corner -1940

"I think people who like to smoke candy and listen to cigarettes will love it"

I'm not usually the biggest fan of romantic-comedies but this film about two shop employees that can barely stand each other but, without realizing it, are falling in love through letters as eachother's anonymous pen pal is a really fun movie. Both James Stewart and Margret Sullavan are really good, and Felix Bressart cracks me up.


#5 Mr. Smith Goes to Washington -1939
"...You think I'm licked. You all think I'm licked. Well I'm not licked. And I'm gonna stay right here and fight for this lost cause. Even if this room gets filled with lies like these. And the Taylors and all their armies come marching into this place. Somebody will listen to me" 

What can I say about this one? It's an all-time classic, well written, well directed, the whole package... but most of all, and this isn't something I claim very often, this is an important movie. On the surface it's just a film about an idealistic young Senator who goes to Washington D.C. and learns about corruption. It's both inspirational and cynical in many ways. I first saw it in school as a kid and, even though it's not always easy to get kids to sit and watch a black & white movie about government, I think it's something everyone should see at least once.


#4 Rear Window -1954
"...she didn't know she was going on a trip and where she was going she wouldn't need any luggage"

Look on any Alfred Hitchcock or James Stewart "Best of" list and you'll find this one near the top, it's a masterpiece. Stewart plays a photographer who, because of a broken leg, is confined to his apartment for a bit. So, he spends his days curiously watching his neighbors through his back window, but things get really interesting when he suspects one of those neighbors of being a murderer. It's a must-see especially if you like really suspenseful movies


#3 It's a Wonderful Life -1946
"What is it you want, Mary? What do you want? You want the moon? Just say the word, and I'll throw a lasso around it and pull it down"

This one also made a 10 Christmas movies everyone should see list I wrote (you can check out that article here) and it's not just a great Christmas movie or just a great James Stewart movie, it's one of the all-time great films period.


#2 Harvey -1950

"Years ago my mother used to say to me, she'd say...'In this world, Elwood, you must be oh so smart or oh so pleasant.' Well, for years I was smart. I recommend pleasant. You may quote me."

Harvey is not the most critically acclaimed film on this list but, for me, it couldn't come in any lower than the #2 slot. Stewart is fantastic as Elwood Dowd, one of my all-time favorite characters across film history. There are very few actors that can play a man who's best friend is an invisible 6'-3 1/2" tall rabbit and still come off so genuine and sincere that you find yourself thinking that the people who don't believe in Harvey the rabbit are the one's with a problem.


#1 Vertigo -1958
"You shouldn't keep souvenirs of a killing. You shouldn't have been that sentimental."

I could go on and on about this one, but I'll keep it simple and if you want more check out a piece I wrote called "The Greatness of Vertigo". This is one of those films and performances where everything works and, no matter how many times I've seen it, the movie always sucks me in.


Honorable Mentions: The Man Who Shot Liberty Valance (1962) , The FBI Story (1959), Broken Arrow(1950), Bell Book and Candle (1958), The Man Who Knew Too Much (1956), An American Tail: Fievel Goes West (1991)


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Saturday, December 17, 2016

Dial M for Murder


"...in stories things usually turn out the way the author wants them to; and in real life they don't... always."

Dial M for Murder is a 1954 crime/thriller Directed by the great Alfred Hitchcock. This one didn't quite make my '10 Alfred Hitchcock Movies Everyone Should See' list (which you can check out by clicking here), but that doesn't mean that it isn't a really good film. Like so many of Hitchcock's films, it ropes you in early on and keeps you locked in all the way through.. he's not called 'The Master of Suspense' for nothing after all. So, if you haven't seen this one, I'm just going to give the setup and a few other thoughts without spoiling how everything unfolds.

Ray Milland plays Tony Wendice who is a former professional tennis player and has discovered that his wife Margot (played by Grace Kelly) has been having an affair with an author named Mark Halliday (played by Robert Cummings). Instead of directly confronting her, Tony keeps his knowledge of the affair a secret and proceeds to plan the perfect murder. He figures that by having his wife killed he not only gets his revenge, but will also get the money left to him in her will. So, Tony gets in touch with a low-level criminal who happens to be an old college classmate of his, lays out the plan, and offers the man a substantial amount of money to carry out the murder. But, not everything goes as planned...

This movie was filmed in 3-D but it isn't one of those that looks ridiculous if you just watch it on your TV without 3-D glasses. There is the occasional object in the foreground that looks a tad off, but Hitchcock pretty much filmed it like he would any other film, and didn't resort to 3-D tricks like things popping out at the audience. The acting is solid, the story is interesting throughout, and I recommend checking it out if you've never seen it.

It's a classic and I give it a 5 out of 5.


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Monday, October 31, 2016

A Look Back At 'Psycho' (1960)




One of Alfred Hitchcock’s great cinematic masterpieces (and I would even argue his best) is 1960’s Psycho. I had previously placed it on my ’10 Movies to Watch in October’ list (which you can check out here: http://onlyinthemoviesblog.blogspot.com/2016/10/10-movies-to-watch-in-october.html) but I still felt like I should have given it a little more of a in-depth review.

 This is not only a great psychological horror film but a great film overall, with iconic moments, a great score, solid acting (particularly Anthony Perkins) and wall-to-wall suspense. It’s spawned a couple of sequels, a remake, and TV show. Much like Hitchcock urging theater owners not to let people to enter the theater late, because it would ruin the experience, I’ll give the setup and end it there just in case anyone reading this has not seen the movie.


The Film starts out in Phoenix, Arizona. During a hotel rendezvous while on her lunch hour, a secretary at a real estate office named Marion Crane (played by Janet Leigh) discusses with her boyfriend, Sam Loomis (played by John Gavin), why they can’t afford to get married because Sam is in pretty substantial debt. When Marion returns from lunch, a client comes by the office and drops off a $40,000 cash deposit for a property. Her boss asks her to deposit the money in the bank, and she asks him if she can take the rest of the afternoon off afterwards. But, she doesn’t go to the bank and instead decides to steal the money to give to Sam. So, Marion heads out of town and toward California where Sam lives. That evening, she pulls over on the side of the road and falls asleep, only to be awakened in the morning by a state trooper. He asks her a couple of questions and is suspicious about her nervous behavior but lets her to drive on anyway. Shaken by the run-in with the officer, Marion stops at a dealership and trades in her car for another and then continues on her way.

Later during her travels, it starts raining pretty heavily so she decides to stop for the night at the Bates Motel where she meets Norman Bates and the whole film take a sudden and violent turn.

Like I stated earlier, I think this is one of the all-time great films and it’s always especially good to watch around Halloween. So, if you’re one of the few who hasn’t seen it -or- if you just haven't watched it in a while, go check it out. You’ll be glad you did.

I give this film a 5 out of 5.


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